His fame was enough to fill the stalls of Memorial Hall at Stanford University when he came to give a talk one evening a couple of years ago. About half the audience were students. The rest were aging faculty out on a cheap date with their wives or husbands. You could identify the male profs by the wispy beards and sandals-’n’-socks footwear. The wives were in wraparound skirts and had hair shorter than their husbands’.
Mamet had been brought to campus by Hillel, and the subject of his talk was “Art, Politics, Judaism, and the Mind of David Mamet.” There wasn’t much talk of Judaism, however, at least not explicitly. He arrived late and took the stage looking vaguely lost. He withdrew from his jacket a sheaf of papers that quickly became disarranged. He lost his place often. He stumbled over his sentences. But the unease that began to ripple through the audience had less to do with the speaker’s delivery than with his speech’s content. Mamet was delivering a frontal assault on American higher education, the provider of the livelihood of nearly everyone in his audience.
Higher ed, he said, was an elaborate scheme to deprive young people of their freedom of thought. He compared four years of college to a lab experiment in which a rat is trained to pull a lever for a pellet of food. A student recites some bit of received and unexamined wisdom—“Thomas Jefferson: slave owner, adulterer, pull the lever”—and is rewarded with his pellet: a grade, a degree, and ultimately a lifelong membership in a tribe of people educated to see the world in the same way.
“If we identify every interaction as having a victim and an oppressor, and we get a pellet when we find the victims, we’re training ourselves not to see cause and effect,” he said. Wasn’t there, he went on, a “much more interesting . . . view of the world in which not everything can be reduced to victim and oppressor?”
This led to a full-throated defense of capitalism, a blast at high taxes and the redistribution of wealth, a denunciation of affirmative action, prolonged hymns to the greatness and wonder of the United States, and accusations of hypocrisy toward students and faculty who reviled business and capital even as they fed off the capital that the hard work and ingenuity of businessmen had made possible. The implicit conclusion was that the students in the audience should stop being lab rats and drop out at once, and the faculty should be ashamed of themselves for participating in a swindle—a “shuck,” as Mamet called it.
It was as nervy a speech as I’ve ever seen, and not quite rude—Mamet was too genial to be rude—but almost. The students in Memorial Hall seemed mostly unperturbed. The ripples of dissatisfaction issued from the older members of the crowd. Two couples in front of me shot looks to one another as Mamet went on—first the tight little smiles, then quick shakes of the head, after a few more minutes the eye-rolls, and finally a hitchhiking gesture that was the signal to walk out. Several others followed, with grim faces.
It was too much, really. It’s one thing to titillate progressive theatergoers with scenes of physical abuse and psychological torture and lines like “You’re f—ing f—ed.” But David Mamet had at last gone too far. He’d turned into a f—ing Republican. . . .
Visit: http://www.weeklystandard.com/articles/converting-mamet_561048.html.
Showing posts with label Topics: Society: Politics: Conservativism. Show all posts
Showing posts with label Topics: Society: Politics: Conservativism. Show all posts
Saturday, May 21, 2011
Saturday, July 31, 2010
Teachout, Terry. "The Conversion of David Mamet." COMMENTARY (July - August 2010).
Mamet, David. Theatre. London: Faber and Faber, 2010.
American theater is a one-party town, a community of like-minded folk who are all but unanimous in their strict adherence to the left-liberal line. Though dissenters do exist, they are almost never heard from in public, and it is highly unusual for new plays that deviate from the social gospel of progressivism to reach the stage, whether in New York or anywhere else.
All this explains why David Mamet, America’s most famous and successful playwright, caused widespread consternation two years ago when he published an essay in the Village Voice called “Why I Am No Longer a ‘Brain-Dead Liberal’” in which he announced that he had “changed my mind” about the ideology to which he had previously subscribed. Having studied the works of “a host of conservative writers,” among them Milton Friedman, Paul Johnson, Thomas Sowell (whom he called “our greatest contemporary philosopher”), and Shelby Steele, Mamet came to the conclusion that “a free-market understanding of the world meshes more perfectly with my experience than that idealistic vision I called liberalism.”
For the most part, members of the American theater community responded to the publication of “Why I Am No Longer a ‘Brain-Dead Liberal’” in one of two ways. Some declared that Mamet’s shift in allegiance was irrelevant to the meaning of the plays on which his reputation is based. Others claimed to have suspected him of being a crypto-conservative all along, arguing that the essay merely proved their point.
Now Mamet has published a book of essays called Theatre (Faber and Faber, 157 pages) in which, among other things, he seeks to integrate his new way of thinking into his view of the art of drama. Although Theatre is not so much a political treatise as a professional apologia, it seems likely that those of his colleagues who write about it (to date, most have ignored it completely) will focus on its political aspect, in which they will doubtless find much to outrage them. . . .
Read the rest here: http://www.commentarymagazine.com/viewarticle.cfm/the-conversion-of-david-mamet-15486.
American theater is a one-party town, a community of like-minded folk who are all but unanimous in their strict adherence to the left-liberal line. Though dissenters do exist, they are almost never heard from in public, and it is highly unusual for new plays that deviate from the social gospel of progressivism to reach the stage, whether in New York or anywhere else.
All this explains why David Mamet, America’s most famous and successful playwright, caused widespread consternation two years ago when he published an essay in the Village Voice called “Why I Am No Longer a ‘Brain-Dead Liberal’” in which he announced that he had “changed my mind” about the ideology to which he had previously subscribed. Having studied the works of “a host of conservative writers,” among them Milton Friedman, Paul Johnson, Thomas Sowell (whom he called “our greatest contemporary philosopher”), and Shelby Steele, Mamet came to the conclusion that “a free-market understanding of the world meshes more perfectly with my experience than that idealistic vision I called liberalism.”
For the most part, members of the American theater community responded to the publication of “Why I Am No Longer a ‘Brain-Dead Liberal’” in one of two ways. Some declared that Mamet’s shift in allegiance was irrelevant to the meaning of the plays on which his reputation is based. Others claimed to have suspected him of being a crypto-conservative all along, arguing that the essay merely proved their point.
Now Mamet has published a book of essays called Theatre (Faber and Faber, 157 pages) in which, among other things, he seeks to integrate his new way of thinking into his view of the art of drama. Although Theatre is not so much a political treatise as a professional apologia, it seems likely that those of his colleagues who write about it (to date, most have ignored it completely) will focus on its political aspect, in which they will doubtless find much to outrage them. . . .
Read the rest here: http://www.commentarymagazine.com/viewarticle.cfm/the-conversion-of-david-mamet-15486.
Friday, October 30, 2009
Cfp: "New Conservatisms and New Approaches: a Conference of Conservatism Studies," Anglo American University, Prague, May 14-15, 2010.
It is hard to exaggerate the influence of Conservative ideas on the current shape of transnational, national and sub-national politics. Conservatives had been among the most powerful political actors in many societies during the 20th century and there seems no reason for a substantial change in the coming years. But the scholar interest to Conservatism still remains weak and Conservatism is mostly neglected as an ideology or a theoretical tool to interpret socio-political phenomena. New Conservatisms and New Approaches is announced with this point in mind, to provide the scholars of Conservatism an opportunity to present their researches, reflect on alternative methods and approaches of Conservatism Studies, share knowledge on peculiar forms of Conservatism in different societies, and form new links to further the scholar understanding of the Conservative ideology.
We invite all scholars and postgraduate students who are interested in Conservatism Studies to submit 200 words abstracts for a 40 minute paper (plus a 20 minute discussion time) to conservatismconference@aauni.edu by 15th of February 2010.
Visit the conference homepage here: http://www.conservatismconference.org/.
Sunday, September 13, 2009
Gray, John. "The Red Flag: Communism and the Making of the Modern World." NEW STATESMAN August 27, 2009.
Priestland, David. The Red Flag: Communism and the Making of the Modern World. London: Allen Lane, 2009.
It cannot be long before progressive opinion begins to look back on communism with nostalgia. Whatever they may have been like in practice, communist states were established to embody ideas that progressives understood and to a large extent shared. The Soviet Union and Maoist China were seen as advancing the cause of humanity and many on the left judged it best not to make too much of any crimes these regimes committed along the way. However imperfectly, communism continued an authentic tradition of European radical humanism.
One of the many virtues of David Priestland's The Red Flag is that it places communism squarely in this tradition. Citing Marx's description of Prometheus as "the most eminent saint and martyr in the philosophical calendar", Priestland shows how Marx's Promethean world-view has animated communist movements and regimes throughout their history. In the preface to his dissertation, Marx wrote, in the words of Aeschylus: "In sooth all gods I hate. 'Tis better to be bound on a rock than bound to the service of Zeus." In Marx's variation on the Promethean myth, heroic humanity wages war against religion, inequality and subservience to nature.
Priestland shows that this modern mythology was propagated right up to the end of communist Russia. As a graduate student at Moscow State University in 1987-88, studying (in secret) Stalin's Terror half a century earlier, he found himself "at the centre of a curious communist civilisation: my neighbours had come from all corners of the communist world - from Cuba to Afghanistan, from East Germany to Mozambique, from Ethiopia to North Korea - to take degrees in science and history, but also to study 'scientific communism' and 'atheism', the better to propagate communist ideology at home . . . The system was unravelling and revealing its secrets, but it was still communist."
Just over 20 years later, that curious communist civilisation has all but vanished from the face of the earth. . . .
Read the whole review here: http://www.newstatesman.com/books/2009/08/communism-communist-soviet.
Berkowitz, Peter. "Conserving." POLICY REVIEW (August / September 2009).
Allitt, Patrick. The Conservatives: Ideas and Personalities Throughout American History. New Haven: Yale UP, 2009.
Patrick Allitt displays a superb eye for the paradoxes that constitute conservatism in America. The Goodrich C. White Professor of History and Director of the Center for Teaching and Curriculum at Emory University, Allitt has written a fine book that is especially valuable at this moment of conservative soul-searching and regrouping. The questions that guide his study are straightforward: “Where did conservatism come from, what are its intellectual sources, and why is it internally divided?” In answering them, however, he is obliged to undertake considerable intellectual legwork because a recognized conservative movement in America only came into existence after 1950. This doesn’t prevent Allitt from reconstructing “a strong, complex, and continuing American conservative tradition” stretching from The Federalist to the Federalist Society. It does mean, though, that to justify his decisions about whom and what to include and exclude in the absence of a formal conservative tradition, a common canon, and an established set of spokesmen, Allitt is compelled to spell out the conflicting elements that distinguish a distinctively conservative approach to politics in America.
Allitt does not seek to go beyond his role as a historian. Yet his learned and fair-minded reconstruction lends support to the view that the proper way forward for conservatives is neither greater purity nor a more perfect unity, but a richer appreciation of the paradoxes of modern conservatism and a more assiduous cultivation of the moderation that is necessary to hold conservatism’s diverse elements, frequently both complementary and conflicting, in proper balance.
According to Allitt, conservatism is, first, “an attitude to social and political change that looks for support to the ideas, beliefs, and habits of the past and puts more faith in the lessons of history than in the abstractions of political philosophy.” Second, it involves “a suspicion of democracy and equality.” This can be divided into a concern that the formal equality of men before God and law not be confused with equality in all things, particularly virtue, and that too much government power not be placed directly in the people’s hands. Third, conservatism reflects “the view that civilization is fragile and easily disrupted” and therefore it teaches that “the survival of the republic presupposes the virtue of citizens” and calls for “a highly educated elite as guardians of civilization.”
Within this unity, considerable diversity of opinion has flourished. Conservatives, Allitt emphasizes, have differed in their “attitude to the proper role of government” and can be found on “both sides of great conflicts.” For example, while Alexander Hamilton, as first secretary of the treasury, sought to increase the size and scope of government’s responsibility for the economy, conservatives, by the time of the New Deal, opposed a larger federal role in the economy. In the run-up to the Civil War, northern statesman Daniel Webster strove to conserve the Union and southern conservative John C. Calhoun strove to conserve the southern way of life. Since the founding, many American conservatives have viewed democracy as destabilizing because it gave too much power to ordinary people; more recently conservatives have seen ordinary people’s common sense and decency as a bulwark against elite ideas about radical change. . . .
Read the rest here: http://www.hoover.org/publications/policyreview/51579192.html.
Smith, Bruce L. R., Alan Wolfe, and Mark Lilla. "Conservativism in Academe: an Exchange." CHRONICLE OF HIGHER EDUCATION September 11, 2009.
In his essay, "Taking the Right Seriously," Mark Lilla argues that academe has treated conservative ideas with derision and that universities do not show interest in promoting true intellectual diversity.
For responses, we turned to Bruce L.R. Smith, a visiting professor in the School of Public Policy at George Mason University, and Alan Wolfe, director of the Boisi Center for Religion and American Public Life and a professor of political science at Boston College. Lilla also provides a rebuttal.
Follow the debate here: http://chronicle.com/article/Conservatism-in-Academe-An/48344/.
Lilla, Mark. "Taking the Right Seriously." CHRONICLE OF HIGHER EDUCATION September 11, 2009.
The unfortunate fact is that American academics have until recently shown little curiosity about conservative ideas, even though those ideas have utterly transformed American (and British) politics over the past 30 years. A look at the online catalogs of our major universities confirms this: plenty of courses on identity politics and postcolonialism, nary a one on conservative political thought. Professors are expected to understand the subtle differences among gay, lesbian, and transgender studies, but I would wager that few can distinguish between the American Enterprise Institute, the Heritage Foundation, and the Cato Institute, three think tanks that have a greater impact on Washington politics than the entire Ivy League.
Why is that? The former left-wing firebrand David Horowitz, whom the professors do know, has a simple answer: There is a concerted effort to keep conservative Ph.D.'s out of jobs, to deny tenure to those who get through, and to ignore conservative books and ideas. It is an old answer, dating back to the 1970s, when neoconservatives began writing about the "adversary culture" of intellectuals. Horowitz is an annoying man, and what's most annoying about him is that . . . he has a point. Though we are no longer in the politically correct sauna of the 1980s and 1990s, and experiences vary from college to college, the picture he paints of the faculty and curriculum in American universities remains embarrassingly accurate, and it is foolish to deny what we all see before us.
Over the past decade, our universities have made serious efforts to increase racial and ethnic diversity on the campus (economic diversity worries them less, for some reason). Well-paid deans work exclusively on the problem. But universities show not the slightest interest in intellectual diversity among faculty members. That wouldn't matter if teachers could be counted on to introduce students to their adversaries' books and views, but we know how rarely that happens. That's why political diversity on the faculty does matter. As it stands, there is a far greater proportion of conservatives in the student body of typical colleges than on the faculty. A few leading thinkers on the right do teach at our top universities—but at some, like Columbia University, where I teach, not a single prominent conservative is to be found.
Contra Horowitz, the blackballing of conservatives and conservative ideas is by now instinctive and habitual rather than self-conscious, reflecting intellectual provincialism more than ideological fervor. . . .
Read the rest here: http://chronicle.com/article/Conservatism-on-the-Campus/48333/.
Friday, July 18, 2008
Mamet, David. "Why I Am No Longer a 'Brain-Dead Liberal.'" VILLAGE VOICE March 11, 2008.
I found not only that I didn't trust the current government (that, to me, was no surprise), but that an impartial review revealed that the faults of this president—whom I, a good liberal, considered a monster—were little different from those of a president whom I revered.
Bush got us into Iraq, JFK into Vietnam. Bush stole the election in Florida; Kennedy stole his in Chicago. Bush outed a CIA agent; Kennedy left hundreds of them to die in the surf at the Bay of Pigs. Bush lied about his military service; Kennedy accepted a Pulitzer Prize for a book written by Ted Sorenson. Bush was in bed with the Saudis, Kennedy with the Mafia. Oh. And I began to question my hatred for "the Corporations"—the hatred of which, I found, was but the flip side of my hunger for those goods and services they provide and without which we could not live.
And I began to question my distrust of the "Bad, Bad Military" of my youth, which, I saw, was then and is now made up of those men and women who actually risk their lives to protect the rest of us from a very hostile world. Is the military always right? No. Neither is government, nor are the corporations—they are just different signposts for the particular amalgamation of our country into separate working groups, if you will. Are these groups infallible, free from the possibility of mismanagement, corruption, or crime? No, and neither are you or I. So, taking the tragic view, the question was not "Is everything perfect?" but "How could it be better, at what cost, and according to whose definition?" Put into which form, things appeared to me to be unfolding pretty well.
Read the rest here: http://www.villagevoice.com/2008-03-11/news/why-i-am-no-longer-a-brain-dead-liberal/1.
Subscribe to:
Posts (Atom)