Henderson, John. "Review of Lorna Hardwick, et al. BLACKWELL COMPANION TO CLASSICAL RECEPTIONS." BMCR (August 2008).

Hardwick, Lorna, and Christopher Stray, eds. Blackwell Companion to Classical Receptions. Oxford: Blackwell, 2008.

Contents: Lorna Hardwick and Christopher Stray. 'Introduction: Making Connections': 1-9 Ch. 1. Felix Budelmann and Johannes Haubold, 'Reception and Tradition': 13-25 Ch. 2. Barbara Graziosi, 'The Ancient Reception of Homer': 26-37 Ch. 3. Chris Emlyn-Jones, 'Poets on Socrates' Stage: Plato's Reception of Dramatic Art': 38-49 Ch. 4. Thomas Harrison, '"Respectable in its ruins": Achaemenid Persia, Ancient and Modern': 50-61 Ch. 5. Ruth Webb, 'Basil of Caesarea and Greek Tragedy': 62-71 Ch. 6. Seth L. Schein, '"Our Debt to Greece and Rome": Canons, Class and Ideology': 75-85 Ch. 7. David W. Bebbington, 'Gladstone on the Classics': 86-97 Ch. 8. Emily Greenwood, 'Between Colonialism and Independence: Eric Williams and the Uses of Classics in Trinidad in the 1950s and 1960s': 98-112 Ch. 9. Stephen Harrison, 'Virgilian Contexts': 113-26 Ch. 10. David Hopkins, 'Colonization, Closure or Creative Dialogue?: The Case of Pope's Iliad ': 129-40 Ch. 11. Ahmed Etman, 'Translation at the Intersection of Traditions: The Arab Reception of the Classics': 141-52 Ch. 12. J. Michael Walton, '"Enough Give in It": Translating the Classical Play': 153-67 Ch. 13. James Robson, 'Lost in Translation? The Problem of (Aristophanic) Humour': 168-82 Ch. 14. Cashman Kerr Prince, '"Making It New": André Gide's Rewriting of Myth': 185-94 Ch. 15. Vanda Zajko, '"What Difference Was Made?": Feminist Models of Reception': 195-206 Ch. 16. Miriam Leonard, 'History and Theory: Moses and Monotheism and the Historiography of the Repressed': 207-18 Ch. 17. Pantelis Michelakis, 'Performance Reception: Canonization and Periodization': 219-28 Ch. 18. Michael Ewans, 'Iphigénie en Tauride and Elektra: "Apolline" and "Dionysiac" Receptions of Greek Tragedy into Opera': 231-26 Ch. 19. Fiona Macintosh, 'Performance Histories': 247-58 Ch. 20. Angeliki Varakis, '"Body and Mask" in Performances of Classical Drama on the Modern Stage': 259-73 Ch. 21. Freddy Decreus, 'The Nomadic Theatre of the Socìetas Raffaello Sanzio: A Case of Postdramatic Reworking of the Classical Tragedy': 274-86 Ch. 22. Nurit Yaari, 'Aristophanes between Israelis and Palestinians': 287-300 Ch. 23. Joanna Paul, 'Working with Film: Theories and Methodologies': 303-14 Ch. 24. Hanna M. Roisman, 'The Odyssey from Homer to NBC: The Cyclops and the Gods': 315-26 Ch. 25. Marianne McDonald, 'A New Hope: Film as a Teaching Tool for the Classics': 327-41 Ch. 26. Catharine Edwards, 'Possessing Rome: The Politics of Ruins in Roma capitale': 345-59 Ch. 27. Gonda van Steen, '"You unleash the tempest of tragedy": The 1903 Athenian Production of Aeschylus' Oresteia': 360-72 Ch. 28. Betine van Zyl Smit, 'Multicultural Reception: Greek Drama in South Africa in the Late Twentieth and Early Twenty-first centuries': 373-85 Ch. 29. Edith Hall, 'Putting the Class into Classical Reception': 386-97 Ch. 30. Gregson Davis, 'Reframing the Homeric: Images of the Odyssey in the Art of Derek Walcott and Romare Bearden': 401-14 Ch. 31. Sarah Annes Brown, '"Plato's Stepchildren": SF and the Classics': 415-27 Ch. 32. Rosalind Hursthouse, 'Aristotle's Ethics, Old and New': 428-39 Ch. 33. Bryan E. Burns, 'Classicizing Bodies in the Male Photographic Tradition': 440-51 Ch. 34. Elizabeth Vandiver, 'Homer in British World War One Poetry': 452-65 Ch. 35. James I. Porter, 'Reception Studies: Future Prospects': 469-81

Read the review here: http://www.bmcreview.org/2008/08/20080838.html.