Pub: PHOTOGRAPHY AND HISTORICAL INTERPRETATION. HISTORY AND THEORY 48 (2009).

• Introduction: "Entwined Practices: Engagements with Photography in Historical Inquiry" by JENNIFER TUCKER in collaboration with TINA CAMPT
• "Incongruous Images: 'Before, During, and After' the Holocaust by MARIANNE HIRSCH and LEO SPITZER
• "Seeing and Saying: a Response to 'Incongruous Images'" by GEOFFREY BATCHEN
• "Santu Mofokeng, Photographs: 'The Violence is in the Knowing'" by PATRICIA HAYES
• "Of Fish, Birds, Cats, Mice, Spiders, Flies, Pigs, and Chimpanzees: How Chance Casts the Historic Action Photograph into Doubt" by ROBIN KELSEY
• "Neither Fish nor Flesh" by JOHN TAGG
• "Photographic Ambivalence and Historical Consciousness" by MICHAEL S. ROTH
• "'When I Was a Photographer': Nadar and History" by STEPHEN BANN
• "Photography and the Practices of Critical Black Memory" by LEIGH RAIFORD
• "Photography and the Material Performance of the Past" by ELIZABETH EDWARDS
• "The Evidence of Sight" by JULIA ADENEY THOMAS

Download the issue here: http://www.historyandtheory.org/archives/dec09.html.