Showing posts with label History: Twentieth Century: Continental: Marxism: Literature: Wilson. Show all posts
Showing posts with label History: Twentieth Century: Continental: Marxism: Literature: Wilson. Show all posts
Friday, March 21, 2008
Weiss, Michael. "The Prometheus of American Criticism [on Edmund Wilson]." DEMOCRATIYA (Spring 2008).
Edmund Wilson has been an object of saintly veneration and nostalgia by those old enough to remember when literary critics were arbiters of how people spent their time between meals and work. Who now, in the age of the hatchet job and the shrinking Books section, speaks of 'permanent criticism,' the criticism that endures because it ranks as literature itself? The Library of America has just published Wilson's collected works in an elegant two-volume set spanning the critic's most productive decades—the 20s, 30s and 40s. Coming a year after Lewis Dabney's definitive biography, the resurrection of such sorely missed volumes as The Shores of Light, Axel's Castle and The Wound and the Bow surely qualifies an 'event' publication. Now there's a term the owlish sage of Red Bank would have loathed to no end. . . .
Read the rest here: http://www.democratiya.com/review.asp?reviews_id=144.
Monday, February 11, 2008
Scialabba, George. "A Great Deal of Work [on Edmund Wilson]." THE NATION January 28, 2008.
The Library of America's new two-volume issue of Wilson's essays and reviews from the 1920s, '30s and '40s is one of the summits of twentieth-century literary criticism. Edmund Wilson's life story is well-known from his many published journals (The Twenties through The Sixties), memoirs ("The Author at Sixty" and Upstate) and letters (a superb collection, Letters on Literature and Politics, edited by Elena Wilson, his fourth wife), other people's remembrances and two good biographies by Jeffrey Meyers and Lewis Dabney. He was born in 1895--with difficulty, because he already had an unusually large head. His father was a reforming lawyer and Attorney General of New Jersey but was disabled for much of his later life by hypochondria and depression. Young Edmund got an extraordinary education at the Hill School in Pennsylvania and a decent one at Princeton, especially after he encountered the literary scholar and peerless teacher Christian Gauss. At Princeton he also (like Dwight Macdonald at Yale) began several lifelong literary friendships, notably with F. Scott Fitzgerald and the poet John Peale Bishop. . . .
Read the rest here: http://www.thenation.com/doc/20080128/scialabba.
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