Lambert, Gregg. Review of Steven Shapiro, WITHOUT CRITERIA. NDPR (October 2009).

Shaviro, Steven. Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics. Cambridge, MA: MIT Press, 2009. I often enjoy those books of philosophy that begin like good science fiction. In this vein, Steven Shaviro's Without Criteria begins: "I imagine a world in which Whitehead takes the place of Heidegger." In other words, he poses the question, "What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought?" (ix). Starting from this "philosophical fantasy", Shaviro sets out to describe a possible world without Heidegger, which I take to be a sort of Leibnizian wager that is bound up with the "turn to Whitehead" today. Accordingly, "a world in which Whitehead takes the place of Heidegger" must be understood as a divergence from the image of thought that belongs to a tradition of post-Kantian critical philosophy, the recurrent features of which have been an obsessive concern over the limits of representation and the critique of subjectivity, and by an allergic reaction to modern science and technology. The main objective of this tradition has been the exposure of the limits of all representational systems by a regressive procedure of critical reason that leads them into a state of crisis as an anticipatory step to their radical reconstruction; the second objective is the laying bare of all naïve and subjectivist constructions of identity, which leads to the production of difference introduced from the critical perspective of "otherness" (as in the case, most recently, in the critical perspectives surrounding the animal and the post-human). The shortcomings of this tradition of post-Kantian philosophy have been found in the fact that the anticipated radical phase of "construction" has never become a positive event as such, and the actual discovery of new possibilities for subjectivity have been through a glass darkly. The philosophies of this tradition have never fully been able to depart from a negative or deconstructive phase; as a result, the future is posited as a static and essentially "empty form of time", often accompanied by a highly speculative image of the event itself as the undetermined and the ungrounded, hence "radical", commencement of an entirely new ontological order. In short, we have merely replaced one metaphysics with another, namely, with a metaphysics of difference; moreover, we have supplanted the universal pretentions of the Kantian Subject with a progressive number of new radical subjectivisms. What, after all, is the recent turn to the animal (or to the nakedness of zoe itself) if not yet another in a series of attempts to "de-center the metaphysics of the Western [human] subject" that is already pre-programmed by this tradition of critique (epoké)? But let us stop here! In positing "a world without Heidegger", retracing our steps backward to a point of deviation where Whitehead takes his place, inevitably we must begin somewhere. According to Shaviro, we must start from Kant, whose transcendental philosophy takes up the first half of Without Criteria; more specifically the "Transcendental Dialectic" of the second section of the First Critique and "the Analytic of the Beautiful" of the Third Critique, which are then drawn into comparison with Whitehead's system. Beginning all over again from Kant seems like one possible solution to the impasse brought about by the previous tradition of post-Kantian critical philosophy, and it is here that Shaviro's own intentions are most clear, since we are presented with the image of philosophy at the crossroads, so to speak. Following Kant's transcendental reduction, we are given two possible routes for a philosophy of the future to take: one leads via Heidegger straight to "Derrida and his epigones" (which Shaviro implies is a dead-end for philosophy in this century); the other, offered in Without Criteria, leads to Deleuze via Whitehead, even though this route remains "virtual", that is to say, still under construction (by Shaviro and other Deleuzians, including Isabelle Stengers and Brian Massumi, who might also add James and Pierce along the way). Thus, it is not by chance that Without Criteria is the second volume of the MIT series edited by Massumi and Erin Manning, Technologies of Lived Abstraction, which proposes to publish works not content to rest with the habitual divisions (between "aesthetics" and "politics", for example, central to Shaviro's notion of "critical aestheticism") and "to catch new thought and action dawning at a creative crossroad". This could even be said to signal a "Whiteheadian revolution" that is taking place in some quarters of the Deleuzian camp, if not in the general field of continental philosophy today. . . . Read the whole review here: http://ndpr.nd.edu/review.cfm?id=17906.